![]() ![]() ![]() ![]() Depending on the manner in which such reconfigurations of the textual form inflect the reader’s overall narrative experience, these narrative fictions risk coming across as gimmicky, fetishizing an older media object, or end up being successful examinations of the affordances of the book’s body in the face of emerging media technologies. These fictions may or may not be born digital, but they insist on being engaged in print, which, in turn, reinstates the relationship of printed books with the bodies of readers who physically hold them and turn their pages. The book’s body emerges as a topos in narrative fictions at the interface of print and digital cultures. ![]()
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